Stingray Djazz

In 2013 it is 25 years ago that singer and trumpet player Chet Baker mysteriously died, caused by a fall from the window of his hotel room in Amsterdam. His music is more popular than ever. This concert is performed by Fay Claassen, who became internationally known through her album ‘Two Portraits of Chet Baker’. In the U.S. this album was the ‘Best Vocal Album of the Year’. In this concert Fay Claassen brings a tribute to Baker with the most beautiful songs and improvisations.

British pianist George Shearing enjoyed an international reputation as an instrumentalist, arranger, and composer. Equally at home on the classical concert stage as in jazz clubs, he was recognized for his inventive, orchestrated jazz. In this live recording from the Munich Philharmonie, Shearing played in a duo format with Canadian double bassist Neil Swainson. The repertoire consisted of a selection of compositions by Shearing himself, among them ‘Lullaby Of Birdland’, which is a standard in jazz repertoire.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

Under the Surface is an improvisational jazz band formed by drummer Joost Lijbaart, vocalist Sanne Rambags, and guitarist Bram Stadhouders. Sanne Rambags, the youngest artist of the trio, is one of the few vocalists of her generation who able to improvise effortlessly, be it by using her voice as an instrument blending with the sounds of the band, or by performing her own poetry. Joost Lijbaart, known from bands by Yuri Honing, is one of the top artists of the Dutch jazz scene. Guitarist Bram Stadhouders is one of the most renowned musicians of improvisational music in Europe. Together, the three Dutch musicians have developed their own “universal language” within the genre. Their performance at Bimhuis showcases their unique intergenerational chemistry and hypnotizing sound. Bimhuis Amsterdam provides a platform for pioneering national and international musicians by hosting over 300 concerts a year.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

Rising star of the jazz guitar Scott DuBois leads his quartet, consisting of Gebhard Ullmann (reeds), Thomas Morgan (bass), and Kresten Osgood (drums), in an intimate and atmospheric performance at Munich’s Jazz Club Unterfahrt in March 2016. The group’s telepathy is such that they are able to go from deathly quiet to fiercely avant-garde at the drop of a hat. For this occasion, DuBois and his group gave a full performance of his "Winter Light" album, released a few months earlier, plus his 'Lake Shore Suite'.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. These portraits were recorded at jazzahead! 2024 in Bremen, Germany.

In this DJAZZ Belgium Sessions performance, which was recorded at AED Studios in Lint, Belgium, we witness Europe’s finest jazz musicians at work. A wide variety of international jazz musicians give a creative, up-close and inside insight into their art of playing jazz music. Young talent and established jazz musicians play to their heart’s content: take for instance this unusual performance by the trio Massot/Florizoone/Horbaczewski. This adventurous threesome pushes the boundaries of jazz, folk and classical music. There is a certain commonality between the instruments they play: accordion, tuba and cello share a richness of sound, as well as a broad register and a photogenic appearance. When improvising, the trio produces the weirdest and wackiest, but also most moving sounds.

Salif Keita’s music is a rich combination of traditional Malian music with European and American influences. We can hear this in the instrumentation of Keita’s music, which varies from traditional West-African instruments to Western European ones. The Malian singer was cast out by his family because of his albinism. In 1967 he moved to Bamako, where he started his musical career and joined Les Ambassadeurs (Internationaux). He achieved international acknowledgement with this band in the 1970s. After spending a couple of years in Ivory Coast, Salif has found his home base in Paris since 1984. During this 2010 concert, he proves to be rightfully referred to as “The Golden Voice of Africa”.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1987, American pianist Armando Anthony "Chick" Corea was one of the artists appearing here. Together with Frank Gambale on guitar, Eric Marienthal on saxophone, John Patitucci on bass and Dave Weckl on drums, Corea performed jazz fusion with his Elektric Band - a jazz subgenre inspired by the rock music and electronic instruments of the day. The band was nominated for two Grammy Awards.

Legendary African-American folk singer Odetta (1930-2008) sang her spirituals with immeasurable sorrow and anguish. Her spiritual music expresses the horrific impact of slavery on millions of African people stolen from their homeland. For Odetta, folk music—be it spirituals, blues or field songs—was a vehicle for expressing the racism and injustice experienced by black people dating back to the days of slavery. This 1964 episode of Face au Public shows the melancholy of the era.

They called her “the most exciting woman in the world”, and this Afro-American voice lived up to this expectation with international flair. Eartha Kitt was one of the reigning queens of blues and jazz. She epitomized the idea of the sex-kitten chanteuse, rising to fame with a nightclub act centered on her slinky stage presence and throaty purr. As much as she enjoyed vamping it up, Kitt also projected the image of an exotic international sophisticate, singing in several languages.

Imagine that visual arts and music are no longer two separate fields; that musicians no longer focus on their instruments only, but also on the visuals of their performance. Such is the premise of Mn'JAM Experiment! Zoom in on their music and you’ll find a mix between empirical and rationally constructed elements; between acoustic, electric and electronic instruments; urban rhythms and traditional melodies, vocal loops and guitar solos, turntables and acoustic drums. Zoom in on the visuals of the performance -they are analogously a product of pre-composed material and live manipulation, mostly carried out by the guy behind the turntables. Zoom out, and discover that music and visuals form a unit - this project is shaping the future of performances when it comes to roles and possibilities within musical settings. Mn’JAM is literally breaking new ground in jazz.

World-class Dutch jazz pianist Peter Beets has shared the stage with jazz greats Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson, and John Clayton. His mother a music teacher and his father an Oscar Peterson and Art Blakey enthusiast, Beets was surrounded by music from an early age. And though music was in their blood, neither parent associated the word “musician” with a career. In this broadcast, Peter Beets teams up with gipsy jazz heros Stochelo Rosenberg, Martin Limberger and Frans van Geest. The strength and precision of Van Geests' rhythms and tempo, and the ease with which Stochelo's lead guitar soars above them, make this band a cohesive collective - unique in their renditions of standards, Django's classic compositions, and original tunes composed by Stochelo himself.

The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents “Europe's First Lady of Song”, popular Dutch jazz vocalist Rita Reys, accompanied by husband Pim Jacobs’s trio in a classic 1982 performance.

Jimmy Smith: Live in '69 boasts an incredible 90-minute concert from 1969 filmed in Paris. Working in his classic trio format with longtime guitarist Eddie McFadden and drummer Charlie Crosby, Jimmy shows why he is still the uncontested king of the jazz organ. Highlights include blues jams “Got My Mojo Working” and “Sonnymoon For Two”, the classic ballads “Alfie” and “Satin Doll”, as well as a 23-minute version of his showcase number “The Sermon”.

Legendary Cuban pianist Chucho Valdés brought his band ‘Jazz Batá 2’ to the Malta Jazz Festival on July 19, 2019. The air was thick with anticipation as Valdés took to the stage, revisiting the small-group concept of his mythical 1972 Cuban album ‘Jazz Batá’. The batá repertoire – the deep classical music of West Africa – permeates Valdés’ piano solos throughout the concert. Valdés’s band consists of Dreiser Durruthy (Batas and vocals), Yaroldy Abreu (percussions and vocals), Abraham Mansfarroll (percussion), Ramón Vazquez Martirena-Bajo (bass guitar). They delivered a performance that reverberated through the historic island.

Jazz fans in television land have come to the right place for their dose of first-rate world jazz: TorTube! Jazz club De Tor in Enschede is one of Europe’s most authentic jazz venues, with an absolutely unique ambiance. Some of the best musicians from Holland and the rest of the world find their way to De Tor to perform for an appreciative audience of jazz fans. This episode of TorTube entitled Vägen, features iconic Swedish jazz pianist Martin Tingvall and his trio. Tingvall has a knack for writing bright melodies that sound like they have been around for ages. During the Tingvall Trio’s performance at De Tor in Enschede, the band’s irresistible grooves reveal drummer Jürgen Spiegel’s rock and hip hop background, and double bass player Omar Rodriguez Calvo’s Cuban heritage.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

Highly acclaimed Italian clarinetist, saxophonist, and bandleader Paolo Tomelleri (1938) is a European master of traditional jazz and swing. With his Big Band, he performs updated recreations of classic swing-era charts made famous by the likes of Benny Goodman and Count Basie. In this concert recording from the Ascona New Orleans Jazz Festival, held in late June and early July 1998 at picturesque Lake Maggiore in Ascona, Switzerland, Tomelleri presents gems like "Esquire Bounce”, "Cute”, "Sing Sing Sing”, "Li’l Darlin’”, "In A Mellow Tone”, "Cotton Tail”, and "April In Paris”. The band also features trombonist Dan Barrett. Experience the Swing Era as never before with this concert by Paolo Tomelleri and his Big Band!

The annual international festival November Music was first held in 1993. Since then, the festival has been promoting contemporary music across various locations in the Netherlands city ‘s-Hertogenbosch. Its 2018 edition included jazz, avant-garde, world and electronic music, sound installations, modern opera and theatre, as well as various interdisciplinary performances. One of the performers in 2018, the pianist Elliot Galvin is a member of the young UK jazz group Dinosaur. Performing with his trio, the gifted musician has been compared to Django Bates for his maverick imagination and ability to blend influences from all over the world.

Every year since 1970, the German city of Burghausen has been hosting one of the largest jazz festivals in the world. During Burghausen International Jazz Week, Burghausen becomes a 'Bavarian jazz mecca': guests from all over the world join the Burghausers to enjoy the most wonderful jazz performances as the colorful hustle and bustle of spectators and musicians shake up the city. One of the bands performing here in 2019 is the Hypnotic Brass Ensemble, which consists of eight sons of jazz trumpeter and one-time Sun Ra Arkestra member Phil Cohran. He trained his children to play their horns and instilled in them a profound sense of the deeply spiritual roots of the music. The Hypnotic Brass Ensemble's music ranges from hypnotizing grooves to jazzy funk.

Since 2005, the Morgenland Festival, held in Osnabrueck, has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. Jivan Gasparyan Jr has always been inspired by the folk melodies of his native Armenia. His grandfather, also a musician, taught him the art of duduk, an instrument of Armenian origin.

Self-taught musician Les McCann became the international jazz superstar he is today after the release of his album “Swiss Movement” which he recorded in 1968 with the late Eddie Harris. Yet there is much more to this musician than that one record. McCann moves comfortably from one jazz style to the next, demonstrating impressive chops in all areas, from bop to fusion, and from vocals to the keys of the electric piano, clavinet, or synthesizer. His mix of church and swing music captures the spirit of the time perfectly, even when an illness prevented him from playing with more than one finger at a time in the early 1990s. In today’s broadcast, McCann takes gospel back to New Orleans, where he played this set in 1983. McCann’s vocals shine in the soulful performances of several of his hits, including “Just Like Magic”, backed by his wonderful “Magic Band” of saxophonist Bobby Bryant Jr., bassist Curtis Robertson Jr., and drummer Tony St. James.

Despite his advanced age, the legendary jazz pianist Earl Hines was at the top of his game when he performed in the Belgian town of Spa in 1977. With a band consisting of Rudy Rutherford (reeds), Jimmy Leary (bass), and Eddie Graham (drums), Hines livens up the room with his interpretations of “I Can’t Believe That You’re In Love With Me” and “The Man I Love.” Marva Josie joins the group for soulful renditions of “A Sunday Kind of Love” and the well-known classic “Kansas City” before the set comes to a close with “Caravan,” which features a lengthy drum solo by Graham.

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who was a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

Live Recording at the Palais Des Sports from 1977. Aretha Franklin performs songs like ‘Respect’, ‘You make me feel like a natural woman’, ‘La vie en Rose’ and ‘Singing in the Rain’.

Every year since 1970, the German city of Burghausen has been hosting one of the largest jazz festivals in the world. During Burghausen International Jazz Week, Burghausen becomes a 'Bavarian jazz mecca': guests from all over the world join the Burghausers to enjoy the most wonderful jazz performances as the colorful hustle and bustle of spectators and musicians shake up the city. One of the bands performing here in 2019 is The Earth, Wind & Fire Experience. In this concert, original Earth, Wind & Fire guitarist, writer and musical director Al McKay performs the band's timeless disco and soul. Together with seven of the thirteen original Earth, Wind & Fire members, he keep hits such as Boogie Wonderland and September alive, touring all over the world.

Regarded as the greatest instrumental soloist of all-time, Stanley Gayetzky, famously known as Stan Getz emerged as one of the most significant musical forces in the world of jazz post World War II. With his distinctively warm and lyrical tone, Getz is fondly dubbed as ‘The Sound’ because of his singularity and musical innovations. His commitment to music is evident from his long body of work that includes over 300 pieces of musical compositions. Ranked among America’s top tenor saxophone players, Getz was a gifted saxophonist who could play just about anything on it, a quality that put him on top of the polls. He is accredited for playing some of the best jazz with some of the best jazzmen in the country. However, his personal life was a rollercoaster ride — tumultuous and loused up by abjection, alcohol, addiction and furious flare-ups. This program shows his last public performance, recorded at Munich Philharmonic Hall, Germany on July 18, 1990. Stan Getz (tenor sax) is accompanied by Kenny Barron (piano), Eddie Del Barrio and Frank Zottoli (synthesizers), Alex Blake (bass) and Terri Lyne Carrington (drums).