Stingray Festival 4K

Since his teenage years, Fabrizio has worked simultaneously on both classical and electronic music productions. He’s definitely not the classical music guy who has just discovered techno. Throughout his apprentice years at the musical academy in Turin, he was working as a producer in dance music studios at the same time, hiding his “double life” to both the professors and the DJs. Arriving in Paris in 2007, his objective starts to take shape. Fabrizio combines the acoustic sounds and weird harmonics of his prepared piano with the acid loops of the TB-303 and the beats of the TR-909. Unsurprisingly, it’s in front of the dancefloor, in clubs or festivals, that Fabrizio plays his live sets. With the right hand, he plays repetitive rhythmical patterns while the left one handles the machines and manipulates the piano strings. Enjoy his 2019 show at Trabendo Paris!

In 2014, Trio Zukan emerged from the combination of three uncommon instruments: accordion, percussion and txistu. The repertoire for this instrumental combination was non-existent at the beginning, so its members decided to promote a project with different composers, with the intention of creating a new repertoire. Today, Zukan has commissioned, revised and released more than a dozen pieces by national and international composers such as: María Eugenia Luc, Mikel Chamizo, Isabel Urrutia, Francisco José Domínguez, Vassilis Filippou, etc. The group is one of the most consolidated groups on the contemporary music scene in the Basque Country. They have performed in Quincena Musical Donostia, Bernaola Festival, Musikagileak Circuit, BBVA Cycle and Attacca Basel, among others. In this concert from the 2019 edition of Classical:NEXT!, Maria Zubimendi (accordion), Gorka Catediano (percussion) and Jon Ansorena (txistu) perform the works "X. Otaolea", "Gravity", "F. Rzewski", as arranged by Trio Zukan, "To the Earth", "Seis miradas sobre" and many more.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the bands taking part in this series is Bloco do Ó, a traditional street band associated with the Brazilian carnival. A "bloco" is a group of people who drive through the streets in trucks, playing music and providing fun to anyone who will listen. Immerse yourself in Bloco de Ó's world of cheerful melodies and spectacular costumes!

Sonya Lifschitz is a pianist working across many contexts, with repertoire spanning from 15th century Faenza Codex to works written for her today. She is known for her fiercely imaginative, daring collaborations across film, animation, spoken word, visual and performance art. Robert Davidson has been making music from language since childhood. He has created music from the voices of Australia's prime ministers, from 100 years of radio broadcasts and from stories of asylum seekers and indigenous members of Australia's Stolen Generations. This performance is recorded during Classical:NEXT 2019 in Rotterdam, The Netherlands.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the artists taking part in this series is Paulo Novaes. Coming from a family of musicians, Paulo Novaes has already lived through a lifetime of music in spite of his young age. Paulo is the cousin of singer Bruna Caram, with whom he performed in São Paulo, Madrid, Barcelona, Lisbon, and other major cities. As a singer, composer, and instrumentalist, his creativity is enjoyed in many forms. With three albums out and his song 'Perdoa' reaching over 20 million streams on Spotify, he steps into the spotlights time and time again. Now Da Pá Virada Sessions and Stingray present Paulo Novaes in this New Year's Eve special, which was recorded in Paulo's native city of São Paulo.

In commemoration of the end of World War I, France and Czech Republic offered the Pope a concert at the Basilica of St. John Lateran in Rome on October 25, 2018. Czech musicologist Václav Luks conducts the choir and orchestra of his own Collegium 1704 in sacred vocal works by several 17th-century baroque composers. On the program are Jean-Baptiste Lully's (1632-1687) Te Deum, followed by Heinrich Ignaz Franz von Biber's (1644-1704) Missa Salisburgensis. During his lifetime, Von Biber, one of greatest composers for solo violin, was known and imitated throughout Europe. He did not limit himself to the violin and was a prolific composer of sacred vocal works as well, of which this Missa Salisburgensis is a prime example.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the artists taking part in this series is pianist Hércules Gomes. Due to his impressive technical skill and expressive choice of repertoire he is considered one of Brazil's foremost pianists today. Hércules has performed with numerous renowned Brazilian musicians, including Arismar do Espirito Santo, Letieres Leite, Alessandro Penezzi, Wilson das Neves, and Banda Mantiqueira.

Śniedź is a voice and electronics duo from Warsaw, Poland who combine extended vocal techniques with improvised, self-named “glitchtronica.” Singer, performer, and sound artist Aleksandra Klimczak frequently breaks boundaries between art genres through cooperating with young artists from different artistic fields. Her work has been awarded from scholarships from the Polish Ministry of Culture and the Capital City of Warsaw. Music curator Antoni Beksiak deals with contemporary crossover, ethnic, classical, jazz, and pop music in his work as an initiator, critic and creator. During this showcase recorded at Classical:NEXT 2019 in Rotterdam, The Netherlands the perform a set list of their own works.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the artists taking part in this series is Filo Machado. Born in São Paulo, this singer, composer, instrumentalist, arranger and producer has celebrated many musical successes. Filo Machado took part in saxophonist Jane Bunnett's Canadian tour with her spectacular project 'Rendez-Vous Brazil/Cuba'. He has appeared at the jazz festivals of Córsega and Uzeste and opened for the one and only Nina Simone in Cannes. In this New Year's Eve special, presented by Da Pá Virada Sessions and Stingray, Filo Machado performs his uniquely sparkling Latin jazz.

While few people are familiar with the Null + Void project, many have already heard Kurt Uenala's music. After making his debut under the pseudonym Kap10Kurt in 2003, Uenala caught the attention of the world with the play "Die Sleeping". This critical and popular success has led to collaborations with several big names in music, including Moby, The Kills, and Dave Gahan, singer of Depeche Mode, for whom Uenala has subsequently signed plays. Spending more and more time in his Manhattan studio, Uenala developed a unique sound made of angular beats and dark soundscapes, which gave rise to a new melancholy solo project called Null + Void. Cryosleep, Uenala's first album under this new banner, includes several titles inspired by retro science fiction, new wave and electronic innovators. Discover Null + Void at the Sónar Reykjavík 2018 festival.

An up close and personal registration of the "This is me" solo shows by Armin that took place in Amsterdam June 22. After a period of reflecting and producing new music during the pandemic, Armin van Buuren returned to the stage in a magnificent way. Unique concert footage combined with an indepth interview and backstage material.

Perhaps you know Sleaford Mods from their collaboration with The Prodigy on The Day Is My Enemy album for which they recorded the track “Ibiza” together. Jason Williamson and Andrew Fearn are Sleaford Mods, the electronic punk duo hailing from Nottingham. Up until 2012, Jason Williamson worked together with Simon Parfrement, who left the music production to Andrew Fearn. In 2015, Sleaford Mods was nominated for the IMPALA Album of the Year Award for their album Key Markets. At the 2019 We Love Green festival in Paris, they play tracks from their latest album Eton Alive.

Ensemble Offspring is Australia's foremost new music ensemble, based in Sydney, made up of flute, clarinet, violin, cello, piano, and percussion. At Classical:NEXT, the ensemble features a line-up of internationally acclaimed core instrumentalists, Claire Edwardes (percussionist/artistic director), Zubin Kanga (piano), Jason Noble (clarinet), and Lamorna Nightingale (flute). With a 23-year history, the group embraces all modes of adventurous music making, which has brought to fruition the creation of over 200 new works. The 2019 Classical:Next showcase programme Solitude features two works written for the ensemble by Kate Moore (“Fern”) and Andrea Keller (“Love in Solitude”). Both pieces use acoustic instrumental tones combined with pre-recorded electronics and especially commissioned video art of the Australian landscape.

On July 20, 2018, double bassist Christian McBride presented his band ‘New Jawn’ at the Malta Jazz Festival. A five-time Grammy winner, McBride is one of the most requested, most recorded, and most respected figures in the music world today. Hailing from Philadelphia, this music luminary combines jazz, R&B, pop/rock, hip hop/neo-soul, and classical. Gracing the Malta Jazz stage with him are Nasheet Waits (drums), Marcus Strickland (tenor sax), and Josh Evans (trumpet).

The Kathleen Tagg / Andre Petersen piano duo brings together two of South Africa's most celebrated pianists: one eclectic-experimental classical and one jazz artist, in a unique and highly personal collaboration. Drawing inspiration from the rich sonic tapestries of classical music, nuances of South African jazz and traditional musics from sub-Saharan Africa, this duo explodes the concept of what two pianos can sound like: a bass guitar, goema drum, marimba and uhadi–plus mixing fully composed scores with improvisation in a bold, vital and highly entertaining mix with performances of original compositions and works by iconic South African jazz composers such as Abdullah Ibrahim, Bheki Mseleku and Moses Molelekwa. Tagg and Petersen explore diverse realms of possibilities within the sound world of the piano, their musical offerings paying tribute to the poignant legacy of people who have inspired their world-view and music making. In this performance from the 2019 edition of Classical:NEXT!, the talented pianists perform "Bheki Mseleku", "Angola", "African Dawn / Cape Doctor", "Second Time Around", "Rapela", "Time Watchers" and "Berimbau".

Marcela Vale, known professionally as Mahmundi, is a singer, songwriter, and music producer from Rio de Janeiro. A Latin Grammy nominee, she is recognized for her originality and authenticity in the contemporary Brazilian music scene. Her work, spanning electronic music, indie, and lo-fi with 1980s influences, is defined by poetic and reflective lyrics. In addition to her solo career, Mahmundi is also active as a producer and instrumentalist. How do contemporary artists reinterpret tradition and create new forms of expression within MPB? Da Pá Virada Sessions' MPB Series investigates this question. Hosted by Dani Gurgel, this episode features a live performance and thought-provoking conversation with Mahmundi, exploring her unique fusion of styles and inviting audiences to discover the richness of modern Brazilian music. Continue your journey into the rich world of contemporary Brazilian popular music with Stingray DJAZZ.

Popa Chubby, born as Ted Horowitz, is an American blues singer and guitarist, who has become one of the most popular figures of New York's blues scene. Early on in his career he released the album 'Booty and the Beast' (1995), which became one of the 1990s's best-selling blues albums. Chubby describes his own style as "The Stooges meets Buddy Guy, Motörhead meets Muddy Waters, and Jimi Hendrix meets Robert Johnson". As part of the French music festival Blues sur Seine, Chubby and his band played a great blues rock concert, showcasing the artist’s powerful and soulful guitar playing. This performance was recorded at Théâtre Simone Signoret on November 8, 2019.

Pianist Alfredo Rodriguez and percussionist Pedrito Martinez, both from Cuba, play an unforgettable Latin jazz performance at the 2019 edition of festival Jazz sous les Pommiers in Coutances, France. Although both musicians are originally from Havana, Cuba, their music careers are blooming in the USA. The duo's debut album 'Duologue' was produced by legendary producer Quincy Jones and saw its release in 2019. Their Jazz sous les Pommiers concert features original compositions alongside Yoruba pieces in honor of the African diaspora to Cuba. Moreover, the duo plays an unexpected interpretation of the Super Mario theme during this varied performance.

Atys en folie is a parody of Jean-Baptiste Lully’s lyrical tragedy Atys (1676). Atys, Lully’s most famous opera, was a constant subject of parody throughout the 18th century. Stage director Jean-Philippe Desrousseaux drew on several parodies to create this original production for singers, puppets, and musicians to revive the work. Princes, princesses, and kings are relegated to peasants, market gardeners, and fishmongers in the countryside. Among the performers are Alain Buet, Marie Lenormand, and Arnaud Marzorati. Gaëlle Trimardeau, Bruno Coulon and Jean-Philippe Desrousseaux feature as puppeteers. The music is performed by ensemble La Clique des Lunaisiens, conducted by Arnaud Marzorati. This performance was recorded at Teatru Manoel in Valletta, Malta, in 2017.

Jeditah is an experimental songwriter, producer and singer from Amsterdam. She works with Brendan Jan Walsh on cello and Jordy Pama on synths and electronics. From an early age on, Jeditah has been immersed in the world of music, travelling with her parents as a music collective. She finds inspiration in the works of acclaimed artists like Björk, James Blake, Laurie Anderson and PJ Harvey. When she began experimenting with making her own music, she first only utilized her own voice, lowering and altering it, and eventually adding electronic beats and synths. With Electric AlleyCat, Jeditah has established her position as a singer and songwriter. In between performing and recording with the band, she creates layered soundscapes from old recordings and homemade samples. It's here where she develops her very own sound: playful, melancholic and adventurous – music that speaks to the imagination of the listener. In this concert from 2019's Classical:NEXT!, she performs "Horseman" "You & Me, "Lay Down", "The Night", "Differently" and "Private Space".

Da Pá Virada sessions bring the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the bands taking part in this series is the Ricardo Herz Trio, which consists of Ricardo Herz on violin, Michi Ruzitschka on nylon string guitar, and Pedro Ito on percussions. Band leader Ricardo Herz is a classically-trained musician, who also studied jazz at the prestigious Berklee College of Music.

For over a decade now, first in Paris, then Montreal and now in Berlin, La Fraîcheur has been brewing her blend of deep house and techno beats, making a name for herself with her signature sound of emotionally charged and acid techno sets. The queer feminist-activist is a marathon DJ who can go on for countless hours, running the gamut from classics to new songs released just hours earlier. Her craft expanded by producing music ranging from ravy epic techno to dark pumping electro, spacious open-air deep house to melancholic electronica. She wrote her critically acclaimed debut album during an artist residency with the Berlin-Detroit Connection. Since then, she has toured all over Europe, North and South America, and Japan, including at Burning Man, Fusion, and Garbicz Festival and famed clubs such as Tresor, About Blank, KitKat Club, Prince Charles, Kater Holzig. Enjoy her 2019 show at Trabendo Paris!