Stingray Djazz

The November Music festival in ‘s-Hertogenbosch, the Netherlands is the ultimate event for experiencing a broad range of music. It features a wonderful variety of contemporary and experimental pop, sound art, non-Western music, jazz and free improvisation. The closing concert for the 2016 edition offers a great example of this musical wealth - Dutch composer and pianist Rembrandt Frerichs’ fantastic trio play a wonderful set with Cello8ctet Amsterdam and renowned Iranian tar player Hossein Alizâdeh. Rembrandt Frerichs studied in New York and lived in Cairo for several years. His music has the drive of American jazz, the lyricism of Middle-Eastern music, and the sensitivity of the chamber music of Claude Debussy and Maurice Ravel. The combination of Frerichs’ trio with Cello8ctet and Alizâdeh is unique. Their music is a miracle of organic creativity, and a shining fusion of old and new world music.

Dino Saluzzi, one of Argentina's tango music masters, has been building his legacy since the mid-1980s. His accordion-like bandoneon defines Argentina's tango music. Saluzzi has explored many paths—paths along which he has rarely travelled more than once, despite some common threads. This rare, vibrant and intense performance is an intimate collaboration with Charlie Mariano (saxophone) and Wolfgang Dauner (piano) and features music ranging from tango and classical music to international favorites.

Legendary African-American folk singer Odetta (1930-2008) sang her spirituals with immeasurable sorrow and anguish. Her spiritual music expresses the horrific impact of slavery on millions of African people stolen from their homeland. For Odetta, folk music—be it spirituals, blues or field songs—was a vehicle for expressing the racism and injustice experienced by black people dating back to the days of slavery. This 1964 episode of Face au Public shows the melancholy of the era.

In the second half of June 1965, during a prolonged European concert tour, American trumpeter Buck Clayton (1911–1991) played a residency at the Chikito, a club in Bern, Switzerland. With a local rhythm section of French pianist Henry Chaix, Swiss double bassist Théo Siegrist, and Swiss drummer Pierre Bouru, this stalwart of the Count Basie Orchestra gave a sparkling performance that was documented for posterity by Radio Télévision Suisse in the program ‘Variétés’. Opening with the George Gershwin favorite ‘’S Wonderful’, the program continues with two swing-era classics: ‘I Can't Get Started’ and ‘Honeysuckle Rose’. Revel at how easily Clayton finishes ‘Honeysuckle Rose’ on a high concert F! A spirited romp through Juan Tizol’s composition ‘Perdido’ closes this recording. The success of this booking ensured Clayton received repeated warm receptions in Bern in the following decades.

Aki Rissanen's interest in jazz came after he started taking classical piano lessons. His deep interest in improvised music placed him among top jazz pianist in his home country - Finland. While composing and performing his own music, Rissanen has also collaborated with Verneri Pohjola and Dave Liebman, and today his name appears among the top European jazz musicians. Live from 'Jazzclub Unterfahrt' in Munich, Germany, together with Antti Lotjonen on bass and Teppo Makynen on drums, Rissanen showcases the best of Scandinavian jazz and its DNA - the Nordic Tone.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1986, famed Icelandic jazz fusion band Mezzoforte performed for over an hour at the North Sea Jazz Festival in The Hague. Led by founders Fridrik Karlsson on guitar, Eythor Gunnarsson on keyboard, Jóhann Ásmundsson on bass, and newcomer Dave O'Higgins on saxophone, they play a variety of pieces, including their 1982 hit single "Garden Party".

Vocalist Jazzmeia Horn’s 2019 Malta Jazz Festival appearance was a celebration of jazz’s future, infused with the soul of its past. Featuring Keith Brown (piano), Rashaan Carter (bass), Irwin Hall (flute and saxophone), and Anwar Marshall (drums), the young singer’s performance was a reminder of jazz’s enduring power to speak to the heart. Situated at the Valletta waterfront outside Our Lady of Liesse Church, Horn’s concert was a truly spellbinding experience.

In this 1970 performance at Maison de la Radio in Paris, France, American blues legend John Lee Hooker (voice and guitar) is joined by the masterful Carey Bell (harmonica), Joe Harper (bass), Lester Dorsie (drums), and Jimmy Dawkins (electric guitar). From the first to the very last minute of the concert, Hooker illustrates why he, 45 years later, was to be ranked 35th on Rolling Stone’s 2015 list of 100 Greatest Guitarists: this bluesman is truly in a class of his own.

Anita O’Day boasts two wonderful concerts from 1963 and 1970 that present the “jazz singer supreme” in impeccable form. O’Day’s horn-based approach to singing is in full effect throughout both shows including stand-out renditions in each show of audience favorites “Tea For Two” and “Sweet Georgia Brown” (both reprised from her triumphant appearance at the 1958 Newport Jazz Festival.) This show is a fitting testimony to one of jazz music’s true originals and shows unequivocally why she is ranked in the top tier of vocalists along with Ella Fitzgerald, Sarah Vaughan, and Billie Holiday.

Jazz first gained a foothold on Latvian soil in the 1920s. A century onward, this documentary traces the first two decades of jazz in Latvia in this portrait of Jack Michalicky, the first known Latvian jazz pianist. Michalicky was a musician from head to toe – a gifted violinist, he truly felt at home at the piano. Slender and lithe, the imaginative pianist’s fingers flew across the keys like a true miracle. Seemingly indefatigable, Michalicky would play improvised solos during breaks in the band's sets, if the patrons wished. This brief yet insightful documentary, which places this remarkable musician in the context of post-WWI jazz in Europe, was produced by Latvian Mareks Ameriks.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1991, Cuban pianist Gonzalo Rubalcaba was one of the artists appearing here. Together with Reinaldo Melian on trumpet, Felipe Cabrera on bass and Julio Barreto on drums, Rubalcaba showcased not only his technical ability as a virtuoso pianist in challenging repertoire of Charlie Parker and John Coltrane, but also his skills as a composer.

Since 1985, the Dutch city of Nijmegen has been welcoming the International Music Meeting Festival every Pentecost. Ranging from jazz and improvisational music to traditional music and unique crossovers, this adventurous festival is all about musical encounters and international collaborations. In 2019, the band Nubiyan Twist performs at the International Music Meeting Festival. This London-based group operates on the intersection of soul and jazz.

Angus & Julia Stone are an Australian brother-sister folk-blues group which formed in 2006. Their parents played as a folk duo before Julia and Angus were born. Angus & Julia Stone have released two studio albums, A Book Like This (8 September 2007), which peaked at No. 6 on the ARIA Albums Chart; and Down. Here they perform at The Metro Theatre, in Sydney, Australia, on October 10, 2007.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

When Daryl Hall and John Oates took to the stage at Sydney’s Entertainment Centre as the iconic bass line of ‘Maneater’ began to play, the fans knew they were in for a treat. This duo may have been opening concerts with that irresistibly smooth number for years, but it never seems to lose its magic, and the crowd – an eclectic mix of teens and baby boomers alike – lapped it up. Daryl Hall and John Oates wisely reunited a few years ago after a string of solo projects, and although Oates no longer sports his signature ‘tache, they put on the kind of show that makes it hard to believe they even considered going their separate ways. Earworms like ‘I Can’t Go For That’, ‘Out Of Touch’ and ‘Kiss On My List’ were surefire reminders that these guys are absolute hit machines, and their catchy synth-soul classics probably deserve to permeate the airwaves as much today as they did decades ago. These Philly crooners still have it in bucket-loads, so this show should have everyone from diehard Daryl Hall and John Oates fans to kids of the 80's groovin’ along in no time.

Moondog, a gaunt, mysterious and extravagantly-garbed blind street musician was celebrated among New Yorkers for two decades before gaining acclaim in Europe as an avant-garde composer conducting orchestras before royalty. Artists such as Charlie Parker, Leonard Bernstein, Steve Reich and Philip Glass have called him one of the great musical visionaries of our century. Day in and day out, the man whose real name is Louis T. Hardin, was as taciturn and unchanging a landmark of the midtown Manhattan streetscape as the George M. Cohan statue in Duffy Square. No matter the weather, he invariably dressed in a homemade robe, sandals, a flowing cape, and a horned Viking helmet - the tangible expression of what he referred to as his “Nordic philosophy”. For this show, he teams up with renowned saxophone ensemble London Saxophonic for an eccentric performance.

The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents the great Wayne Shorter Quartet. Shorter’s maxim is to reinvent his music during each concert. He means to give his music a radical originality.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1987, prominent guitarist George Benson brought his band to kick off day three of the North Sea Jazz Festival in The Hague. Joining him to play songs from their joint album "Collaborations" was Grammy award–winning acoustic guitarist Earl Klugh.

Two top-tier Belgian musicians – guitarist Philip Catherine and bassist Jean-Louis Rassinfosse – accompany American jazz trumpeter and vocalist Chet Baker during this 1985 performance at the beautiful Brussels Jazz Club, located on the Grand-Place, the Belgian capital’s central square. The trio plays Charlie Mariano’s “Crystal Bells”, the title track of their acclaimed 1983 album. Other songs played during this legendary concert include “Down” and “How Deep is the Ocean”.

SHYRE is the creative collaboration launched by Montreal-born vocalist and pianist Sarah Rossy. This five-member group mixes instrumental textures with ethereal ambience, taking the listener on a journey through passages of prose with unique aesthetics. SHYRE fuses pop-folk and jazz with symphonic timbres, and psychedelic ambience, employing lush strings, dynamic rhythms, and angelic harmonies. The resulting soundscape is innocent, yet fascinating. Sail away on the aural wings of music from their debut album New Year (2013).

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

Since 1993, the November Music Festival has been held every year at various locations in the Dutch city of 's-Hertogenbosch. Highlighting a variety of contemporary musical styles and contemporary composers, November Music is today one of the most important festivals dedicated to contemporary music in the Netherlands. Signifying balance or stability, the Latin-Arabic word "siwan" is the perfect title for the Norwegian pianist and composer Jon Balke's project. This combination of oriental, western, classical, and modern music reaches a perfect musical balance.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1982, legendary swing band leader jazz clarinettist Benny Goodman performed two sets with his septet at the North Sea Jazz Festival in The Hague. True to form, with his concert the 'King of Swing' revisited the atmosphere of the swing era – the 1930s – when jazz enjoyed tremendous popularity. Goodman's septet includes Scott Hamilton (tenor saxophone), John Bunch (piano), Phil Flanigan (double bass), Mel Lewis (drums), Warren Vaché (trumpet), and Chris Flory (guitar). Here is the first of two sets recorded at the festival in 1982.

Jazz fans in television land have come to the right place for their dose of first-rate world jazz: TorTube! Jazz club De Tor in Enschede is one of Europe’s most authentic jazz venues, with an absolutely unique ambiance. Some of the best musicians from Holland and the rest of the world find their way to De Tor to perform for an appreciative audience of jazz fans. In this broadcast of TorTube, the great trumpeter Eric Vloeimans and his associate, pianist Florian Weber, perform a set named “A good conversation” (‘Een goed gesprek’). Great music and a perfect ambiance prove an irresistible combination!

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. Miriam Makeba, also named Mama Africa, was a South African singer, actress, United Nations goodwill ambassador, and civil-rights activist. Her career flourished in the US, where she released several albums. Makeba was among the first African musicians to receive worldwide recognition. She brought African music to a Western audience, and popularized the world music and Afropop genres. Her performances at Estival Lugano is beyond incredible. Her voice, the power and the soul summarizes her musicality in 40 minutes, together with her band and extremely talented backing-vocals.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the artists taking part in this episode is Grammy-award nominated accordionist Toninho Ferragutti. Today he is one of Brazil's leading jazz-inspired accordionists, whose music is often categorized as música popular brasileira (MPB). Together with Fabio Leal (acoustic guitar), Cleber Almeida (drums), Cassio Ferreira (saxophone), and Thiago Alves (bass), Toninho performs Brazil's beautiful melodies with his trademark virtuosity.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2022, jazzahead! paid special attention to Canada’s jazz scene and invited forty jazz acts from all over the world to perform over the course of three days. Among the ensembles appearing at jazzahead! 2022 is saxophonist Melissa Aldana’s quartet. Chilean-born Melissa Aldana (1989) studied at Berklee College of Music in Boston, Massachusetts, and, in 2013, became the first female instrumentalist – and the first South American musician – to win the Thelonious Monk International Jazz Saxophone Competition. Her album ‘Visions’ earned the saxophonist her first Grammy nomination. She is accompanied by Lage Lund (guitar), Pablo Menares (bass), and Kush Abadey (drums).

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2022, jazzahead! paid special attention to Canada’s jazz scene and invited forty jazz acts from all over the world to perform over the course of three days. Among the performing artists are Canadian trumpeter Steph Richards and her quartet. Steph Richards is regarded as an adventurous jazz innovator, who has steadily established herself as a prominent and influential voice in the NYC experimental scene. Richards, who is driven by a curiosity how listeners interact with music, is open to experimenting with sensory variables, including scent, light and space. She is accompanied by Zachary Lober (bass), Joshua White (piano), and Andrew Munsey (drums).

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1968, two former colleagues met again on stage, this time leading their own bands at the Newport Jazz Festival in Rotterdam: drummer Art Blakey and pianist Horace Silver were both co-founders of The Jazz Messengers.